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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Panel

来源:the V&A
分类:Silk (textile)
纹样:云, 梅, 牡丹, 麒麟, 碗
主题:海水江涯
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100%

Panel

Physical description
Length for a chair cover; dark blue satin embroidered in coloured silks and gold thread with flowers and fruit, a mythical scales beast and the Chinese character for 'long life'.
Place of Origin
China (made)
Date
1750-1820 (made)
Artist/maker
Unknown
Materials and Techniques
Silk satin embroidered in coloured silks and gold thread
Dimensions
Length: 185.4 cm, Width: 55.9 cm
Object history note
Registered File number 1947/374. From the collection of Bernard Vuilleumier.
Descriptive line
Length of dark blue satin for a chair cover, embroidered in colours and gold, made in China, 18th-19th century.
Bibliographic References (Citation, Note/Abstract, NAL no)
Wilson, Verity. Chinese textiles. London: V&A publications, 2005, plate 43.
Materials
Silk Summary
Chinese textile chair covers only began appearing from around the 11th century, along with a development in etiquette which permitted Chinese people to give up sitting on the floor or kneeling, in order to take places on chairs. Most of the chair covers in the V&A date to the Qing Dynasty (1644–1911) or later.
This dark blue satin chair cover dates to the 18th century. The top part would drape over the back rail of a chair, and the longevity (‘shou’) character would then appear the right way up. The portion showing vessels and the vase would cover the inside back of the chair, where the portion with plants, outlined with gold, rests on the seat. The bottom portion with the mythical qilin falls down the front to the floor.
Such covers were used on wooden chairs with or without arms. It is possible that these furnishings performed a decorative function and were never sat on, and they were probably laid out according to the season, or when guests were expected.
Techniques
Embroidered
Subjects depicted
Flowers; Fruit
Categories
Textiles; Embroidery
Collection
East Asia Collection
100%

色彩分析

64 %
30 %
2 %
2 %

主要色彩
LAB
RGB
HSB
000000 (63.99%)
L 0
A 0
B 0
R 0
G 0
B 0
H
S 0%
B 0%
333333 (29.76%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
666666 (1.92%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
CCCCCC (1.79%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
999966 (1.42%)
L 62.1
A -8.23
B 26.87
R 153
G 153
B 102
H 60°
S 33%
B 60%

设计说明

Physical description
Length for a chair cover; dark blue satin embroidered in coloured silks and gold thread with flowers and fruit, a mythical scales beast and the Chinese character for 'long life'.
Place of Origin
China (made)
Date
1750-1820 (made)
Artist/maker
Unknown
Materials and Techniques
Silk satin embroidered in coloured silks and gold thread
Dimensions
Length: 185.4 cm, Width: 55.9 cm
Object history note
Registered File number 1947/374. From the collection of Bernard Vuilleumier.
Descriptive line
Length of dark blue satin for a chair cover, embroidered in colours and gold, made in China, 18th-19th century.
Bibliographic References (Citation, Note/Abstract, NAL no)
Wilson, Verity. Chinese textiles. London: V&A publications, 2005, plate 43.
Materials
Silk Summary
Chinese textile chair covers only began appearing from around the 11th century, along with a development in etiquette which permitted Chinese people to give up sitting on the floor or kneeling, in order to take places on chairs. Most of the chair covers in the V&A date to the Qing Dynasty (1644–1911) or later.
This dark blue satin chair cover dates to the 18th century. The top part would drape over the back rail of a chair, and the longevity (‘shou’) character would then appear the right way up. The portion showing vessels and the vase would cover the inside back of the chair, where the portion with plants, outlined with gold, rests on the seat. The bottom portion with the mythical qilin falls down the front to the floor.
Such covers were used on wooden chairs with or without arms. It is possible that these furnishings performed a decorative function and were never sat on, and they were probably laid out according to the season, or when guests were expected.
Techniques
Embroidered
Subjects depicted
Flowers; Fruit
Categories
Textiles; Embroidery
Collection
East Asia Collection