*本网站内容仅供个人学习、研究使用,请勿用于商业用途。

中国非物质文化遗产
基因数据库

2,978
130
点击查看包含数据量中国非物质文化遗产基因数据库

TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

点击解锁云锦知识关联网络

设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

点击定位图纹基因
图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
条件筛选
时间筛选
配色筛选

Hilt of a Ritual Sword

Date:16th–17th century
Culture:Tibetan
Medium:Copper alloy
Dimensions:L. 4 1/8 in. (10.5 cm)
Classification:Swords-Parts
Credit Line:Purchase, Kenneth and Vivian Lam Gift, 2017
Accession Number:2017.161
Originally fitted with a proportionately small blade, perhaps ten inches long, this hilt symbolizes the Sword of Wisdom, used to sever ties to spiritual and temporal ignorance and drive out the demons of negative thoughts and actions, particularly in the context of rituals associated with the Buddhist deities Manjushri, Padmasambhava, and Palden Lhamo. In addition to the use of such swords in actual rituals and ceremonies, iconographically, swords of this type appear in Tibetan scroll paintings (thang ka), wall murals, sculptures and other works of art, usually wielded by protective deities. They are also depicted among the objects required for votive or ritual use and are shown in great detail in a manuscript of ritual practices prepared for the Great Fifth Dalai Lama in the seventeenth century.
The hilt is cast in one piece, with decoration in low relief accented by engraved details. The pommel has a trilobate or trefoil form and probably represents the Three-Eyed Gem (Tibetan, nor bu mig gsum pa), which is derived from the Chinese ju-i motif and is one of a group of auspicious symbols known in Tibet as the Seven Gems (norbu cha bdun). It is decorated on the front with three dots framed by curly leaves or scrolls. The sides and back of the pommel are plain and there is a square opening at the top. The grip swells at the center and is round in cross section. It is decorated all the way around with two rows of stylized lotus petals. The borders or collars at the top and bottom of the grip consist of a continuous circle of triple petal or ju-i symbols set on a beaded ring. At the base of the grip the guard is a very leonine form of kirttimukha mask (Tibetan, tsi pa Ta) with a short downward curving leafy scroll extending from either side of the mouth. Ringlets of curly hair create an arc across the top of the back of the guard. Two locks or tendrils extend upward from the base, representing hair on the lower lip or chin of the mask. The bottom of the guard is open to accommodate the tang and shoulders of its missing blade. The opening is framed by teeth and fangs indicating the opening as the mouth of the mask, as is typical on hilts of this type.

色彩分析

28 %
23 %
14 %
8 %

主要色彩
LAB
RGB
HSB
CCCCCC (28.49%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
CCCC99 (23.35%)
L 80.92
A -8.17
B 25.51
R 204
G 204
B 153
H 60°
S 25%
B 80%
CC9999 (13.87%)
L 67.96
A 19.06
B 7.45
R 204
G 153
B 153
H
S 25%
B 80%
333333 (8.03%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
666633 (6.18%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%

设计说明

Date:16th–17th century
Culture:Tibetan
Medium:Copper alloy
Dimensions:L. 4 1/8 in. (10.5 cm)
Classification:Swords-Parts
Credit Line:Purchase, Kenneth and Vivian Lam Gift, 2017
Accession Number:2017.161
Originally fitted with a proportionately small blade, perhaps ten inches long, this hilt symbolizes the Sword of Wisdom, used to sever ties to spiritual and temporal ignorance and drive out the demons of negative thoughts and actions, particularly in the context of rituals associated with the Buddhist deities Manjushri, Padmasambhava, and Palden Lhamo. In addition to the use of such swords in actual rituals and ceremonies, iconographically, swords of this type appear in Tibetan scroll paintings (thang ka), wall murals, sculptures and other works of art, usually wielded by protective deities. They are also depicted among the objects required for votive or ritual use and are shown in great detail in a manuscript of ritual practices prepared for the Great Fifth Dalai Lama in the seventeenth century.
The hilt is cast in one piece, with decoration in low relief accented by engraved details. The pommel has a trilobate or trefoil form and probably represents the Three-Eyed Gem (Tibetan, nor bu mig gsum pa), which is derived from the Chinese ju-i motif and is one of a group of auspicious symbols known in Tibet as the Seven Gems (norbu cha bdun). It is decorated on the front with three dots framed by curly leaves or scrolls. The sides and back of the pommel are plain and there is a square opening at the top. The grip swells at the center and is round in cross section. It is decorated all the way around with two rows of stylized lotus petals. The borders or collars at the top and bottom of the grip consist of a continuous circle of triple petal or ju-i symbols set on a beaded ring. At the base of the grip the guard is a very leonine form of kirttimukha mask (Tibetan, tsi pa Ta) with a short downward curving leafy scroll extending from either side of the mouth. Ringlets of curly hair create an arc across the top of the back of the guard. Two locks or tendrils extend upward from the base, representing hair on the lower lip or chin of the mask. The bottom of the guard is open to accommodate the tang and shoulders of its missing blade. The opening is framed by teeth and fangs indicating the opening as the mouth of the mask, as is typical on hilts of this type.