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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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点击体验色彩分析、一键线稿与矢量图生成

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Carpet

来源:the V&A
分类:Silk (textile)
纹样:龙, 荷花, 菊, 牡丹
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100%

Carpet

Physical description
Rug with a yellow ground and a stylised floral pattern with a key fret border in blue, white and red. Within the border is a four-corner design, each corner containing a Chinese lion and a central dragon medallion. The corners and medallion are worked in metallic threads in the weft-wrap weave technique known as soumak. The rest of the rug is of knotted silk pile. There is a short unread inscription woven into one end.
Place of Origin
China (made)
Date
1920-1940 (made)
Artist/maker
Unknown
Materials and Techniques
Silk knotted pile with wrapped metallic threads
Dimensions
Width: 1570 mm Top, Width: 1603 mm Bottom, Length: 2503 mm Proper right, Length: 2509 mm Proper left
Object history note
Registered File number 1965/3344.
Descriptive line
Rug, silk knotted pile with wrapped metallic threads, China, Republican period, 1920-1940
Bibliographic References (Citation, Note/Abstract, NAL no)
Wilson, Verity, 'A Diplomat's Collection: The Chinese Textiles of Sir John Addis' in Arts of Asia vol.33 no.2, 2003, pp.90-101 plate 21
Lorentz, H., A View of Chinese Rugs from the Seventeenth to the Twentieth Century, London: Routledge, 1972, pp 94-5 fig. 55
Labels and date
The only partially legible inscription on the upper edge of the rug indicates that it may have been designed to be used in the Palace of Supreme Harmony in the Forbidden City in Beijing. A series of rugs of this size and in this technique, each with a four or five character inscription assigning them to a particular hall of the Palace are known outside of China. It has been suggested that they may date to the reign of the Emperor Qianlong (1736-1795).
It has also been suggested that this group of rugs was made in the Street of the Embroiderers in Beijing this century in which case an imperial connection seems unlikely. This particular rug, and another similar one not on display, were the only textiles from the collection in use at Sir John's family home in Kent. []
Materials
Silk (textile); Metal thread
Techniques
Knotted pile; Weaving
Subjects depicted
Dragons; Floral patterns; Lions
Categories
Floor coverings; Textiles; Household objects
Collection
East Asia Collection
This rug is one of a pair with silk knotted pile and wrapped metallic threads. The inscription on this one, only partially legible on the upper edge, may indicate that it was designed to be used in the Palace of Supreme Harmony in the Forbidden City in Beijing.
Another series of rugs of a similar size and technique, each with a four- or five-character inscription assigning it to a particular hall of the imperial domain, is known outside China. It has been suggested that it dates to the reign of the Qianlong emperor (ruled 1736-1795). Another source has claimed that this group of rugs was made in the Street of the Embroiderers in Beijing in the 20th century, in which case an imperial connection seems unlikely.
100%

色彩分析

19 %
16 %
11 %
11 %

主要色彩
LAB
RGB
HSB
000000 (19.19%)
L 0
A 0
B 0
R 0
G 0
B 0
H
S 0%
B 0%
000033 (15.64%)
L 2.16
A 15.17
B -30.06
R 0
G 0
B 51
H 240°
S 100%
B 20%
CC9966 (11.32%)
L 66.96
A 12.97
B 34.11
R 204
G 153
B 102
H 30°
S 50%
B 80%
666633 (11.16%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%
999966 (10.13%)
L 62.1
A -8.23
B 26.87
R 153
G 153
B 102
H 60°
S 33%
B 60%

设计说明

Physical description
Rug with a yellow ground and a stylised floral pattern with a key fret border in blue, white and red. Within the border is a four-corner design, each corner containing a Chinese lion and a central dragon medallion. The corners and medallion are worked in metallic threads in the weft-wrap weave technique known as soumak. The rest of the rug is of knotted silk pile. There is a short unread inscription woven into one end.
Place of Origin
China (made)
Date
1920-1940 (made)
Artist/maker
Unknown
Materials and Techniques
Silk knotted pile with wrapped metallic threads
Dimensions
Width: 1570 mm Top, Width: 1603 mm Bottom, Length: 2503 mm Proper right, Length: 2509 mm Proper left
Object history note
Registered File number 1965/3344.
Descriptive line
Rug, silk knotted pile with wrapped metallic threads, China, Republican period, 1920-1940
Bibliographic References (Citation, Note/Abstract, NAL no)
Wilson, Verity, 'A Diplomat's Collection: The Chinese Textiles of Sir John Addis' in Arts of Asia vol.33 no.2, 2003, pp.90-101 plate 21
Lorentz, H., A View of Chinese Rugs from the Seventeenth to the Twentieth Century, London: Routledge, 1972, pp 94-5 fig. 55
Labels and date
The only partially legible inscription on the upper edge of the rug indicates that it may have been designed to be used in the Palace of Supreme Harmony in the Forbidden City in Beijing. A series of rugs of this size and in this technique, each with a four or five character inscription assigning them to a particular hall of the Palace are known outside of China. It has been suggested that they may date to the reign of the Emperor Qianlong (1736-1795).
It has also been suggested that this group of rugs was made in the Street of the Embroiderers in Beijing this century in which case an imperial connection seems unlikely. This particular rug, and another similar one not on display, were the only textiles from the collection in use at Sir John's family home in Kent. []
Materials
Silk (textile); Metal thread
Techniques
Knotted pile; Weaving
Subjects depicted
Dragons; Floral patterns; Lions
Categories
Floor coverings; Textiles; Household objects
Collection
East Asia Collection
This rug is one of a pair with silk knotted pile and wrapped metallic threads. The inscription on this one, only partially legible on the upper edge, may indicate that it was designed to be used in the Palace of Supreme Harmony in the Forbidden City in Beijing.
Another series of rugs of a similar size and technique, each with a four- or five-character inscription assigning it to a particular hall of the imperial domain, is known outside China. It has been suggested that it dates to the reign of the Qianlong emperor (ruled 1736-1795). Another source has claimed that this group of rugs was made in the Street of the Embroiderers in Beijing in the 20th century, in which case an imperial connection seems unlikely.