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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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点击体验色彩分析、一键线稿与矢量图生成

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Buddha Shakyamuni with disciples清康熙 滿繡釋迦牟尼佛唐卡

纹样:荷花, 牡丹, 云, 婴儿
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Buddha Shakyamuni with disciples清康熙 滿繡釋迦牟尼佛唐卡

Period:Qing dynasty (1644–1911)
Date:early 18th century
Culture:China
Medium:Silk and metal thread embroidery
Dimensions:Overall: 49 1/4 x 33 1/2 in. (125.1 x 85.1 cm)
Classification:Textiles-Embroidered
Credit Line:Rogers Fund, 1951
Accession Number:51.129
Commissioned by the Qing imperial court, this stunning embroidery hanging features Tibetan-style Buddhist images. The large central Buddha sits on a lotus throne carried by lions, with his right hand in earth-touching mudra and his left in meditation mudra. The two small figures in front are the Buddha’s primary disciples: the youthful Ananda and the older Kashyapa. At the top, Tsongkhapa (1357–1419), the founder of the Gelug school of Tibetan Buddhism, is joined by two disciples. The uncommonly delicate embroidery successfully displays the solemnity of the Buddha and the piety of his disciples.

色彩分析

25 %
18 %
14 %
13 %

主要色彩
LAB
RGB
HSB
CC9966 (24.76%)
L 66.96
A 12.97
B 34.11
R 204
G 153
B 102
H 30°
S 50%
B 80%
FFFFFF (18.16%)
L 100
A 0
B 0
R 255
G 255
B 255
H
S 0%
B 100%
CCCC99 (13.58%)
L 80.92
A -8.17
B 25.51
R 204
G 204
B 153
H 60°
S 25%
B 80%
999966 (12.94%)
L 62.1
A -8.23
B 26.87
R 153
G 153
B 102
H 60°
S 33%
B 60%
996633 (8.57%)
L 47.64
A 15.37
B 36.5
R 153
G 102
B 51
H 30°
S 67%
B 60%

设计说明

Period:Qing dynasty (1644–1911)
Date:early 18th century
Culture:China
Medium:Silk and metal thread embroidery
Dimensions:Overall: 49 1/4 x 33 1/2 in. (125.1 x 85.1 cm)
Classification:Textiles-Embroidered
Credit Line:Rogers Fund, 1951
Accession Number:51.129
Commissioned by the Qing imperial court, this stunning embroidery hanging features Tibetan-style Buddhist images. The large central Buddha sits on a lotus throne carried by lions, with his right hand in earth-touching mudra and his left in meditation mudra. The two small figures in front are the Buddha’s primary disciples: the youthful Ananda and the older Kashyapa. At the top, Tsongkhapa (1357–1419), the founder of the Gelug school of Tibetan Buddhism, is joined by two disciples. The uncommonly delicate embroidery successfully displays the solemnity of the Buddha and the piety of his disciples.