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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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图纹识别

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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100%

Canonization scroll of Li Zhong奉神圖卷

Artist:Unidentified Artist (17th century)
Period:Ming dynasty (1368–1644)
Date:colophon dated 1641
Culture:China
Medium:Handscroll; ink color, and gold on silk
Dimensions:Image: 19 in. × 30 ft. 3/4 in. (48.3 × 916.3 cm)
Overall with mounting: 19 in. × 34 ft. 1 in. (48.3 × 1038.9 cm)
Classification:Paintings
Credit Line:Fletcher Fund, 1938
Accession Number:38.31.1
This painting, an unsigned work of a provincial atelier, is a rare example of popular religious art. Modeled on imperial commendation scrolls, with their ornamental borders of dragons chasing flaming pearls, the scroll illustrates the investiture of a local god into the Daoist pantheon. The first half of the scroll depicts the court of the Jade Emperor, supreme deity of popular Daoism. The enthroned emperor is flanked by four female attendants, four high officials, and two constellations of star deities, as well as guardians of the east and west, who are accompanied by their directional emblems, the dragon and tiger. Approaching this assembly is a file of haloed deities who have entered the sacred precincts through a pair of heavenly gates. The second half of the scroll depicts the entourage of the local god, including standardbearers with emblems of his status, a white charger, a palanquin with eight porters, guardians of the four directions, four attendants carrying incense burners, and figures bearing his sword and seals. This procession ends with a depiction of the local god, shown larger than life to emphasize his importance. In the sky above, a heavenly messenger appears bearing the scroll of the god's investiture.
Following the painting is a transcription of the petition made to the Celestial Master of the Orthodox Unity sect, headquartered at Dragon-Tiger Mountain (Longhu shan) in Jiangxi Province, requesting that the local god, Li Zhong, be recognized as a member of the pantheon. The petition is dated A.D. 1157, but both it and the painting are likely to be copies, probably created during the Ming dynasty. The terminus ante quem for the scroll is established by two appended colophons, both dated 1641.
100%

色彩分析

32 %
18 %
16 %
11 %

主要色彩
LAB
RGB
HSB
999966 (31.68%)
L 62.1
A -8.23
B 26.87
R 153
G 153
B 102
H 60°
S 33%
B 60%
996633 (17.81%)
L 47.64
A 15.37
B 36.5
R 153
G 102
B 51
H 30°
S 67%
B 60%
CC9966 (16.41%)
L 66.96
A 12.97
B 34.11
R 204
G 153
B 102
H 30°
S 50%
B 80%
996666 (11.19%)
L 48.56
A 20.55
B 8.41
R 153
G 102
B 102
H
S 33%
B 60%
CC9999 (5.06%)
L 67.96
A 19.06
B 7.45
R 204
G 153
B 153
H
S 25%
B 80%

设计说明

Artist:Unidentified Artist (17th century)
Period:Ming dynasty (1368–1644)
Date:colophon dated 1641
Culture:China
Medium:Handscroll; ink color, and gold on silk
Dimensions:Image: 19 in. × 30 ft. 3/4 in. (48.3 × 916.3 cm)
Overall with mounting: 19 in. × 34 ft. 1 in. (48.3 × 1038.9 cm)
Classification:Paintings
Credit Line:Fletcher Fund, 1938
Accession Number:38.31.1
This painting, an unsigned work of a provincial atelier, is a rare example of popular religious art. Modeled on imperial commendation scrolls, with their ornamental borders of dragons chasing flaming pearls, the scroll illustrates the investiture of a local god into the Daoist pantheon. The first half of the scroll depicts the court of the Jade Emperor, supreme deity of popular Daoism. The enthroned emperor is flanked by four female attendants, four high officials, and two constellations of star deities, as well as guardians of the east and west, who are accompanied by their directional emblems, the dragon and tiger. Approaching this assembly is a file of haloed deities who have entered the sacred precincts through a pair of heavenly gates. The second half of the scroll depicts the entourage of the local god, including standardbearers with emblems of his status, a white charger, a palanquin with eight porters, guardians of the four directions, four attendants carrying incense burners, and figures bearing his sword and seals. This procession ends with a depiction of the local god, shown larger than life to emphasize his importance. In the sky above, a heavenly messenger appears bearing the scroll of the god's investiture.
Following the painting is a transcription of the petition made to the Celestial Master of the Orthodox Unity sect, headquartered at Dragon-Tiger Mountain (Longhu shan) in Jiangxi Province, requesting that the local god, Li Zhong, be recognized as a member of the pantheon. The petition is dated A.D. 1157, but both it and the painting are likely to be copies, probably created during the Ming dynasty. The terminus ante quem for the scroll is established by two appended colophons, both dated 1641.