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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

点击定位图纹基因
图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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配色筛选

Bottle with lotuses明 琺華蓮池紋梅瓶

纹样:荷花, 云, 梅, 如意
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Bottle with lotuses明 琺華蓮池紋梅瓶

Period:Ming dynasty (1368–1644)
Date:late 15th century
Culture:China
Medium:Porcelain with raised slip and enamels (Jingdezhen ware)
Dimensions:H. 14 1/2 in. (36.8 cm); Diam. 7 1/8 in. (18.1 cm)
Classification:Ceramics
Credit Line:Bequest of John D. Rockefeller Jr., 1960
Accession Number:61.200.52
Produced in both north and south China, porcelains such as this, in which a white clay paste (or slip) is used to create the outlines of motifs such as flowers and then filled in with brightly colored enamels, are often catalogued as Fahua wares. The term fahua, which translates to “designs with borders, ” was coined in the early twentieth century and is used to define works made in both north and south China that share this distinctive technique.

色彩分析

52 %
25 %
6 %
5 %

主要色彩
LAB
RGB
HSB
999999 (51.63%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (24.99%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
003333 (6.46%)
L 18.39
A -15.44
B -4.54
R 0
G 51
B 51
H 180°
S 100%
B 20%
666666 (4.76%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
000033 (4.18%)
L 2.16
A 15.17
B -30.06
R 0
G 0
B 51
H 240°
S 100%
B 20%

设计说明

Period:Ming dynasty (1368–1644)
Date:late 15th century
Culture:China
Medium:Porcelain with raised slip and enamels (Jingdezhen ware)
Dimensions:H. 14 1/2 in. (36.8 cm); Diam. 7 1/8 in. (18.1 cm)
Classification:Ceramics
Credit Line:Bequest of John D. Rockefeller Jr., 1960
Accession Number:61.200.52
Produced in both north and south China, porcelains such as this, in which a white clay paste (or slip) is used to create the outlines of motifs such as flowers and then filled in with brightly colored enamels, are often catalogued as Fahua wares. The term fahua, which translates to “designs with borders, ” was coined in the early twentieth century and is used to define works made in both north and south China that share this distinctive technique.