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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

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设计探索

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Offerings to Wrathful Deities

荷花
Date:late 16th–17th century
Culture:Tibet
Medium:Distemper and ink on cloth
Dimensions:66 15/16 x 43 11/16 in. (170 x 111 cm)
Classification:Paintings
Credit Line:Gift of Frances Gould-Naftal and Marvin Naftal, 1983
Accession Number:1983.510.2
This black-ground (Tibetan: nag thang) painting was installed in the chapel (gonkhang) dedicated to the wrathful protective deities (dharmapalas), a room reserved for tantric initiation rites within a Tibetan monastery. The exceptional scale and complexity of the composition relate the painting to the offering-scene murals known as “sets of ornaments” (Tibetan: rgyan tshogs) that adorn the interiors of shrines dedicated to the dharmapalas. Two wrathful tantric deities are represented with flames emanating from their beings, standing on a male corpse atop a lotus pedestal. They are draped in flayed skins and garlands of severed human heads. Offerings of flayed skins, ritual utensils and objects, and a vast assortment of weapons fill the interior. Framing the scene above is a curtain of flayed human skins and organ entrails.

色彩分析

41 %
24 %
18 %
6 %

主要色彩
LAB
RGB
HSB
663333 (40.78%)
L 27.93
A 22.8
B 10.4
R 102
G 51
B 51
H
S 50%
B 40%
333333 (24.48%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
666633 (18.31%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%
CCCCCC (6.35%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
996633 (3.78%)
L 47.64
A 15.37
B 36.5
R 153
G 102
B 51
H 30°
S 67%
B 60%

设计说明

Date:late 16th–17th century
Culture:Tibet
Medium:Distemper and ink on cloth
Dimensions:66 15/16 x 43 11/16 in. (170 x 111 cm)
Classification:Paintings
Credit Line:Gift of Frances Gould-Naftal and Marvin Naftal, 1983
Accession Number:1983.510.2
This black-ground (Tibetan: nag thang) painting was installed in the chapel (gonkhang) dedicated to the wrathful protective deities (dharmapalas), a room reserved for tantric initiation rites within a Tibetan monastery. The exceptional scale and complexity of the composition relate the painting to the offering-scene murals known as “sets of ornaments” (Tibetan: rgyan tshogs) that adorn the interiors of shrines dedicated to the dharmapalas. Two wrathful tantric deities are represented with flames emanating from their beings, standing on a male corpse atop a lotus pedestal. They are draped in flayed skins and garlands of severed human heads. Offerings of flayed skins, ritual utensils and objects, and a vast assortment of weapons fill the interior. Framing the scene above is a curtain of flayed human skins and organ entrails.