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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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点击体验色彩分析、一键线稿与矢量图生成

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Funerary Pagoda with Four Buddhas彩繪石雕四佛塔石灰岩

纹样:龙, 云
人物:女人
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Funerary Pagoda with Four Buddhas彩繪石雕四佛塔石灰岩

Period:Northern Qi dynasty (550–577)
Date:ca. 560–75
Culture:China (probably Shandong province)
Medium:Limestone with traces of pigment
Dimensions:H. 95 in. (241.3 cm); W. (one face) 67 1/2 in. (171.5 cm)
Classification:Sculpture
Credit Line:Gift of Henry and Ruth Trubner, in memory of Gertrude Trubner and Edgar Worch, and Purchase, The Astor Foundation Gift, 1988
Accession Number:1988.303
The construction of small, square, pagoda-like shrines appears to have begun in China during the Northern Qi period, and flourished through the Tang dynasty (618 – 907). Comparisons with other examples suggest that this shrine once stood on a square, possibly stepped, base and was capped by either a domed or tiered roof. Its exterior walls, marked by prominent entryways, enclose a pillar with four Buddhas; although they can no longer be accurately identified, they likely represented the Buddhas most important to Chinese practice during the sixth century. Each wall is capped by a lintel that bears representations of multiple seated Buddhas. Paired dragons fill the upper registers and guardians and lions (many now missing) protect the entryways.
The shrine ’ s interior walls are carved with rows of multiple tiny Buddhas. Exhibiting variations in posture and clothing, they symbolize the immanence of many Buddhas in the cosmos. Numerous shrines of this type can be found in northeast China and are often associated with the remains of notable monks, indicating that they may have functioned as funerary monuments. However, the prominent central pillar in this example suggests that the shrine may have been used for visualization exercises, with a focus on these particular Buddhas.

色彩分析

22 %
15 %
14 %
12 %

主要色彩
LAB
RGB
HSB
666666 (22.07%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
999999 (15.21%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (13.95%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
999966 (12.34%)
L 62.1
A -8.23
B 26.87
R 153
G 153
B 102
H 60°
S 33%
B 60%
996666 (10.73%)
L 48.56
A 20.55
B 8.41
R 153
G 102
B 102
H
S 33%
B 60%

设计说明

Period:Northern Qi dynasty (550–577)
Date:ca. 560–75
Culture:China (probably Shandong province)
Medium:Limestone with traces of pigment
Dimensions:H. 95 in. (241.3 cm); W. (one face) 67 1/2 in. (171.5 cm)
Classification:Sculpture
Credit Line:Gift of Henry and Ruth Trubner, in memory of Gertrude Trubner and Edgar Worch, and Purchase, The Astor Foundation Gift, 1988
Accession Number:1988.303
The construction of small, square, pagoda-like shrines appears to have begun in China during the Northern Qi period, and flourished through the Tang dynasty (618 – 907). Comparisons with other examples suggest that this shrine once stood on a square, possibly stepped, base and was capped by either a domed or tiered roof. Its exterior walls, marked by prominent entryways, enclose a pillar with four Buddhas; although they can no longer be accurately identified, they likely represented the Buddhas most important to Chinese practice during the sixth century. Each wall is capped by a lintel that bears representations of multiple seated Buddhas. Paired dragons fill the upper registers and guardians and lions (many now missing) protect the entryways.
The shrine ’ s interior walls are carved with rows of multiple tiny Buddhas. Exhibiting variations in posture and clothing, they symbolize the immanence of many Buddhas in the cosmos. Numerous shrines of this type can be found in northeast China and are often associated with the remains of notable monks, indicating that they may have functioned as funerary monuments. However, the prominent central pillar in this example suggests that the shrine may have been used for visualization exercises, with a focus on these particular Buddhas.