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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

点击定位图纹基因
图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Woman’s Festival Robe

Period:Qing dynasty (1644–1911)
Date:late 19th century
Culture:China
Medium:Silk tapestry (kesi)
Dimensions:56 1/2 x 60 in. (143.51 x 152.40 cm)
Classification:Costumes-Tapestries
Credit Line:Bequest of William Christian Paul, 1929
Accession Number:30.75.99
The golden five-clawed dragons on this robe indicate that it was woven for an empress or imperial consort of lower rank. While it retains the imagery mandated in the mid-eighteenth century court regulations, changes in the rendering of these designs help date this robe to the late nineteenth century. The heads of the dragons appear swollen and disproportionate to the bodies, and their claws have lost their strength. The standard rock and waves pattern at the hem have also changed. The diagonal waves are longer, straighter, and less realistic. These stylistic changes parallel those found on other works of art made at the same time.

色彩分析

40 %
33 %
7 %
7 %

主要色彩
LAB
RGB
HSB
999999 (40.33%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (33.23%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
336666 (7.20%)
L 39.86
A -17.05
B -5.29
R 51
G 102
B 102
H 180°
S 50%
B 40%
666666 (6.75%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
333333 (3.91%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%

设计说明

Period:Qing dynasty (1644–1911)
Date:late 19th century
Culture:China
Medium:Silk tapestry (kesi)
Dimensions:56 1/2 x 60 in. (143.51 x 152.40 cm)
Classification:Costumes-Tapestries
Credit Line:Bequest of William Christian Paul, 1929
Accession Number:30.75.99
The golden five-clawed dragons on this robe indicate that it was woven for an empress or imperial consort of lower rank. While it retains the imagery mandated in the mid-eighteenth century court regulations, changes in the rendering of these designs help date this robe to the late nineteenth century. The heads of the dragons appear swollen and disproportionate to the bodies, and their claws have lost their strength. The standard rock and waves pattern at the hem have also changed. The diagonal waves are longer, straighter, and less realistic. These stylistic changes parallel those found on other works of art made at the same time.