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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Pouring Vessel (Kendi) with Flowers and Fruits

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Pouring Vessel (Kendi) with Flowers and Fruits

卍字
Period:Ming dynasty (1368–1644), Wanli period (1573–1620)
Date:late 16th century
Culture:China
Medium:Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware)
Dimensions:H. 7 3/8 in. (18.7 cm); W. 5 1/2 in. (14 cm)
Classification:Ceramics
Credit Line:Rogers Fund, 1919
Accession Number:19.136.4
Chinese manufacture of this drinking vessel with a long neck and a spout, known as kendi (a Malay word), began during the fourteenth century for export to Muslim communities in Southeast Asia. By the sixteenth century it was carried farther afield to the Middle East, where Persian copies were made. This late sixteenth-century version, not necessarily made for export to Europe, is decorated in patterns that commonly were applied to kraak porcelain.

色彩分析

28 %
23 %
22 %
7 %

主要色彩
LAB
RGB
HSB
666666 (28.18%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
999999 (23.40%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
333333 (21.79%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
CCCCCC (6.75%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
666633 (4.07%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%

设计说明

Period:Ming dynasty (1368–1644), Wanli period (1573–1620)
Date:late 16th century
Culture:China
Medium:Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware)
Dimensions:H. 7 3/8 in. (18.7 cm); W. 5 1/2 in. (14 cm)
Classification:Ceramics
Credit Line:Rogers Fund, 1919
Accession Number:19.136.4
Chinese manufacture of this drinking vessel with a long neck and a spout, known as kendi (a Malay word), began during the fourteenth century for export to Muslim communities in Southeast Asia. By the sixteenth century it was carried farther afield to the Middle East, where Persian copies were made. This late sixteenth-century version, not necessarily made for export to Europe, is decorated in patterns that commonly were applied to kraak porcelain.