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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Incense burner with floral pattern_04

牡丹
Date:17th–18th century
Culture:China
Medium:Copper alloy with parcel-gilding
Dimensions:H. 3 1/8 in. (7.9 cm); W. incl. handles 7 1/4 in. (18.4 cm); Diam. 5 5/8 in. (14.3 cm); Diam. of foot 4 3/8 in. (11.1 cm)
Classification:Metalwork
Credit Line:Purchase, Friends of Asian Art Gifts, 2019
Accession Number:2019.317
This incense burner is an unusual example of how Chinese works were sometimes modified when they came to Europe. The censor’s form is a typical Chinese archaistic reinterpretation of an ancient food vessel, but its decoration—Chinese tree peonies in a landscape setting—was most likely chased from the vessel’s original surface by a European metalsmith. A mark on the base (“ALPH GIROUX PARIS”) reveals that the vessel was once in the collection of Alphonse Giroux (1775/76-1848), a French dealer in luxury goods. It is most likely that the cold-work surface decoration was added in his workshop, reflecting the hybrid nature of Chinoiserie in eighteenth-century Europe.

推荐图集

色彩分析

38 %
21 %
20 %
9 %

主要色彩
LAB
RGB
HSB
666666 (38.25%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
999999 (20.87%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
333333 (19.67%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
CCCCCC (8.78%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
666633 (2.86%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%

设计说明

Date:17th–18th century
Culture:China
Medium:Copper alloy with parcel-gilding
Dimensions:H. 3 1/8 in. (7.9 cm); W. incl. handles 7 1/4 in. (18.4 cm); Diam. 5 5/8 in. (14.3 cm); Diam. of foot 4 3/8 in. (11.1 cm)
Classification:Metalwork
Credit Line:Purchase, Friends of Asian Art Gifts, 2019
Accession Number:2019.317
This incense burner is an unusual example of how Chinese works were sometimes modified when they came to Europe. The censor’s form is a typical Chinese archaistic reinterpretation of an ancient food vessel, but its decoration—Chinese tree peonies in a landscape setting—was most likely chased from the vessel’s original surface by a European metalsmith. A mark on the base (“ALPH GIROUX PARIS”) reveals that the vessel was once in the collection of Alphonse Giroux (1775/76-1848), a French dealer in luxury goods. It is most likely that the cold-work surface decoration was added in his workshop, reflecting the hybrid nature of Chinoiserie in eighteenth-century Europe.