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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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点击体验色彩分析、一键线稿与矢量图生成

图纹识别

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Lotus and Rock, after Chen Hongshou現代 謝稚柳 臨陳洪綬蓮石圖 鏡片

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100%

Lotus and Rock, after Chen Hongshou現代 謝稚柳 臨陳洪綬蓮石圖 鏡片

荷花
Artist:Xie Zhiliu (Chinese, 1910–1997)
Date:Datable to 1937
Culture:China
Medium:Drawing mounted as a hanging scroll; ink on tracing paper
Dimensions:Overall: 43 7/8 x 24 3/4 in. (111.5 x 62.8 cm)
Classification:Paintings
Credit Line:Gift of Sarah Shay, 2005
Accession Number:2005.411.81
Rights and Reproduction:Estate of Xie Zhiliu
This tracing (the bottom portion of which is now missing) reveals how Xie allowed himself some creative license when copying a painting by Chen Hongshou (1599–1652. In tracing the original, Xie paid greatest attention to the outlines of the lotus petals and leaves; he rendered the contours of the rock in a much more cursory manner. This enabled him to use his brush more freely to describe the rock's form and texture, adhering to neither the model nor his tracing while still preserving Chen's original composition. Xie imitated the inscription in the same way: he followed the general forms of the characters without tracing them precisely. In a further departure from the original, Xie used shading in the finished copy to give his rocks greater substance and to emphasize the main rock's central perforation.
According to Xie's inscription on the finished version, he copied Chen's painting while he was staying in Nanjing in the spring of 1937.
100%

色彩分析

57 %
18 %
8 %
6 %

主要色彩
LAB
RGB
HSB
CCCC99 (56.89%)
L 80.92
A -8.17
B 25.51
R 204
G 204
B 153
H 60°
S 25%
B 80%
FFCCCC (17.96%)
L 86.41
A 18
B 6.87
R 255
G 204
B 204
H
S 20%
B 100%
CCCCCC (7.89%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
FFCC99 (6.02%)
L 85.38
A 11.5
B 32.27
R 255
G 204
B 153
H 30°
S 40%
B 100%
666633 (3.28%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%

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设计说明

Artist:Xie Zhiliu (Chinese, 1910–1997)
Date:Datable to 1937
Culture:China
Medium:Drawing mounted as a hanging scroll; ink on tracing paper
Dimensions:Overall: 43 7/8 x 24 3/4 in. (111.5 x 62.8 cm)
Classification:Paintings
Credit Line:Gift of Sarah Shay, 2005
Accession Number:2005.411.81
Rights and Reproduction:Estate of Xie Zhiliu
This tracing (the bottom portion of which is now missing) reveals how Xie allowed himself some creative license when copying a painting by Chen Hongshou (1599–1652. In tracing the original, Xie paid greatest attention to the outlines of the lotus petals and leaves; he rendered the contours of the rock in a much more cursory manner. This enabled him to use his brush more freely to describe the rock's form and texture, adhering to neither the model nor his tracing while still preserving Chen's original composition. Xie imitated the inscription in the same way: he followed the general forms of the characters without tracing them precisely. In a further departure from the original, Xie used shading in the finished copy to give his rocks greater substance and to emphasize the main rock's central perforation.
According to Xie's inscription on the finished version, he copied Chen's painting while he was staying in Nanjing in the spring of 1937.