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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

点击解锁云锦知识关联网络

设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

点击定位图纹基因
图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Plate with Dragon and Waves

Period:Qing dynasty (1644–1911)
Date:first half of the 18th century
Culture:China
Medium:Porcelain painted with colored enamels over transparent glaze and gilding (Jingdezhen ware)
Dimensions:Diam. 19 1/2 in. (49.5 cm)
Classification:Ceramics
Credit Line:Gift of Michael L. Rosenberg, 2001
Accession Number:2001.362
The chaos that marked the transition from the Ming to the Qing dynasty in the mid-seventeenth century spurred European demand for Japanese porcelains, which began to be exported in significant numbers. As production resumed in China, Chinese potters sometimes re-created the Japanese styles — characterized by the dense pattering on the rim — that the European markets desired.

推荐图集

色彩分析

23 %
20 %
14 %
10 %

主要色彩
LAB
RGB
HSB
CCCCCC (22.99%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
99CCCC (19.54%)
L 78.65
A -16.46
B -5.39
R 153
G 204
B 204
H 180°
S 25%
B 80%
003333 (14.00%)
L 18.39
A -15.44
B -4.54
R 0
G 51
B 51
H 180°
S 100%
B 20%
999999 (10.48%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
336666 (10.36%)
L 39.86
A -17.05
B -5.29
R 51
G 102
B 102
H 180°
S 50%
B 40%

应用设计案例推荐

设计说明

Period:Qing dynasty (1644–1911)
Date:first half of the 18th century
Culture:China
Medium:Porcelain painted with colored enamels over transparent glaze and gilding (Jingdezhen ware)
Dimensions:Diam. 19 1/2 in. (49.5 cm)
Classification:Ceramics
Credit Line:Gift of Michael L. Rosenberg, 2001
Accession Number:2001.362
The chaos that marked the transition from the Ming to the Qing dynasty in the mid-seventeenth century spurred European demand for Japanese porcelains, which began to be exported in significant numbers. As production resumed in China, Chinese potters sometimes re-created the Japanese styles — characterized by the dense pattering on the rim — that the European markets desired.