*本网站内容仅供个人学习、研究使用,请勿用于商业用途。

中国非物质文化遗产
基因数据库

2,978
130
点击查看包含数据量中国非物质文化遗产基因数据库

TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

点击解锁云锦知识关联网络

设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

点击定位图纹基因
图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
条件筛选
时间筛选
配色筛选

Luohan元 佚名 羅漢像 軸

Artist:Unidentified Artist
Period:Yuan dynasty (1271–1368)
Date:late 13th–early 14th century
Culture:China
Medium:Hanging scroll; ink and color on silk
Dimensions:Image: 44 1/4 x 19 5/16 in. (112.4 x 49.1 cm)
Overall with mounting: 78 x 20 3/8 in. (198.1 x 51.8 cm)
Overall with knobs: 78 x 22 in. (198.1 x 55.9 cm)
Classification:Paintings
Credit Line:Purchase, Seymour Fund and Bequest of Dorothy Graham Bennett, 1984
Accession Number:1984.226
This powerful depiction of a luohan (arhat, in Sanskrit), one of the disciples of the Buddha, shows the same finely drawn, highly colored figure style found in the Ten Kings of Hell (in this case), confirming its origin in the Zhejiang city of Ningbo, where workshops specialized in painting Buddhist images during the Southern Song and Yuan periods.

色彩分析

44 %
18 %
13 %
6 %

主要色彩
LAB
RGB
HSB
000000 (44.10%)
L 0
A 0
B 0
R 0
G 0
B 0
H
S 0%
B 0%
666633 (17.79%)
L 42.1
A -8.05
B 28.62
R 102
G 102
B 51
H 60°
S 50%
B 40%
996633 (13.06%)
L 47.64
A 15.37
B 36.5
R 153
G 102
B 51
H 30°
S 67%
B 60%
993333 (6.32%)
L 36.71
A 42.53
B 23.53
R 153
G 51
B 51
H
S 67%
B 60%
996666 (6.24%)
L 48.56
A 20.55
B 8.41
R 153
G 102
B 102
H
S 33%
B 60%

设计说明

Artist:Unidentified Artist
Period:Yuan dynasty (1271–1368)
Date:late 13th–early 14th century
Culture:China
Medium:Hanging scroll; ink and color on silk
Dimensions:Image: 44 1/4 x 19 5/16 in. (112.4 x 49.1 cm)
Overall with mounting: 78 x 20 3/8 in. (198.1 x 51.8 cm)
Overall with knobs: 78 x 22 in. (198.1 x 55.9 cm)
Classification:Paintings
Credit Line:Purchase, Seymour Fund and Bequest of Dorothy Graham Bennett, 1984
Accession Number:1984.226
This powerful depiction of a luohan (arhat, in Sanskrit), one of the disciples of the Buddha, shows the same finely drawn, highly colored figure style found in the Ten Kings of Hell (in this case), confirming its origin in the Zhejiang city of Ningbo, where workshops specialized in painting Buddhist images during the Southern Song and Yuan periods.