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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Box with peonies明 永樂 剔紅牡丹紋盒_01

牡丹
Period:Ming dynasty (1368–1644), Yongle period (1403–24)
Date:15th century
Culture:China
Medium:Carved red lacquer
Dimensions:H. 2 3/4 in. (6.4 cm); Diam. 6 1/4 in. (15.9 cm)
Classification:Lacquer
Credit Line:Purchase, Arthur M. Sackler Gift, 1974
Accession Number:1974.269a, b
Frequently depicted in carved lacquer, peonies are an important symbol for honor, rank, royalty, and wealth. This box bears additional flowers along the sides: camellias, chrysanthemums, pomegranates, and tree peonies. It is one of several pieces in The Met collection with a six-character mark carved on the bottom reading “Made during the reign of the Yongle emperor” (Da Ming Yongle nian zhi). The use of marks like this, seen more commonly on ceramics, began in the early fifteenth century and continued in all media into the twentieth. Works so marked were likely produced for the court.

色彩分析

27 %
22 %
15 %
12 %

主要色彩
LAB
RGB
HSB
999999 (26.67%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (22.12%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
993333 (14.93%)
L 36.71
A 42.53
B 23.53
R 153
G 51
B 51
H
S 67%
B 60%
666666 (12.05%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
663333 (9.42%)
L 27.93
A 22.8
B 10.4
R 102
G 51
B 51
H
S 50%
B 40%

设计说明

Period:Ming dynasty (1368–1644), Yongle period (1403–24)
Date:15th century
Culture:China
Medium:Carved red lacquer
Dimensions:H. 2 3/4 in. (6.4 cm); Diam. 6 1/4 in. (15.9 cm)
Classification:Lacquer
Credit Line:Purchase, Arthur M. Sackler Gift, 1974
Accession Number:1974.269a, b
Frequently depicted in carved lacquer, peonies are an important symbol for honor, rank, royalty, and wealth. This box bears additional flowers along the sides: camellias, chrysanthemums, pomegranates, and tree peonies. It is one of several pieces in The Met collection with a six-character mark carved on the bottom reading “Made during the reign of the Yongle emperor” (Da Ming Yongle nian zhi). The use of marks like this, seen more commonly on ceramics, began in the early fifteenth century and continued in all media into the twentieth. Works so marked were likely produced for the court.