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中国非物质文化遗产
基因数据库

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TRADITIONOW

中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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设计探索

点击体验色彩分析、一键线稿与矢量图生成

图纹识别

点击定位图纹基因
图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Bottle with Peony Scroll_03

Period:Yuan dynasty (1271–1368)
Date:mid-14th century
Culture:China
Medium:Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware)
Dimensions:H. 17 1/2 in. (44.5 cm)
Classification:Ceramics
Credit Line:Rogers Fund, 1926
Accession Number:26.271.1a, b
The structured surface of this bottle ultimately derives from the Islamic cultures of West Asia. The designs painted on the surface of the bottle also illustrate the complicated ties between China and other regions in the fourteenth century: the patterns on the neck parallel the cloud-collar designs often found in textiles and clothing in China and the Islamic world; the scrolling peonies that decorate the center of the bottle derive from longstanding Chinese traditions; and the stylized lotus petals on the base allude to imagery found in Indo-Himalayan art.

色彩分析

31 %
27 %
19 %
17 %

主要色彩
LAB
RGB
HSB
666666 (30.56%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
333333 (26.67%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
999999 (19.00%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (17.46%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
336666 (1.67%)
L 39.86
A -17.05
B -5.29
R 51
G 102
B 102
H 180°
S 50%
B 40%

设计说明

Period:Yuan dynasty (1271–1368)
Date:mid-14th century
Culture:China
Medium:Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware)
Dimensions:H. 17 1/2 in. (44.5 cm)
Classification:Ceramics
Credit Line:Rogers Fund, 1926
Accession Number:26.271.1a, b
The structured surface of this bottle ultimately derives from the Islamic cultures of West Asia. The designs painted on the surface of the bottle also illustrate the complicated ties between China and other regions in the fourteenth century: the patterns on the neck parallel the cloud-collar designs often found in textiles and clothing in China and the Islamic world; the scrolling peonies that decorate the center of the bottle derive from longstanding Chinese traditions; and the stylized lotus petals on the base allude to imagery found in Indo-Himalayan art.