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中国非物质文化遗产
基因数据库

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中国非物质文化遗产基因数据库(简称非遗基因库)是一个基于中国非物质文化遗产大数据的知识共享平台。该数据库搜集、整合了海量中国非物质文化遗产的多媒体资料,搭建了基于专业术语及其知识网络的非遗知识图谱,从工艺、色彩和纹案三个维度对非遗知识进行了深入拆解、再现和重组,打造了包括非遗多媒体资源库、非遗知识库和非遗创新转化案例库在内的一站式服务平台,旨在深入挖掘非遗蕴含的传统文化基因及其演化路径,探索中国非遗在大数据及人工智能时代的创承新模式,助力中国非物质文化遗产的数字化保存与创造性再生。

非遗知识图谱

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点击体验色彩分析、一键线稿与矢量图生成

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图中的动物是十二生肖中的一种,它对应十二地支中的哪一个?换一题ABCD
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Theatrical robe with phoenix and floral patterns清 紅緞彩繡鳳穿花紋宮衣

纹样:凤, 牡丹, 蝴蝶, 如意, 荷花
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Theatrical robe with phoenix and floral patterns清 紅緞彩繡鳳穿花紋宮衣

Period:Qing dynasty (1644–1911)
Date:19th century
Culture:China
Medium:Silk thread embroidery on silk satin
Dimensions:50 x 96 in. (127 x 243.84 cm)
Classification:Costumes-Embroidered
Credit Line:Rogers Fund, 1930
Accession Number:30.76.12a, b
This elaborate robe would have been worn by a performer playing a princess or a palace concubine. Details such as the elegant cloud collar, multicolored sleeves, and fine embroidery attest to the quality of the garment and the status of the role. Phoenixes were used to signify the empress and other women at court. The dangling ribbons of the skirt would have moved as the actor was walking or dancing.
A depiction of a “princess” wearing a similar robe in a nineteenth-century album of theatrical portraits (at the National Library of China, Beijing) helped to date this piece and confirm its function.
On view during Rotation 1 of exhibition from June 25, 2016 through January 13, 2017.

色彩分析

51 %
23 %
6 %
4 %

主要色彩
LAB
RGB
HSB
CCCCCC (50.63%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
999999 (22.68%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CC3333 (6.20%)
L 46.24
A 59.12
B 37.12
R 204
G 51
B 51
H
S 75%
B 80%
990033 (3.79%)
L 31.84
A 56.19
B 17.34
R 153
G 0
B 51
H 340°
S 100%
B 60%
666666 (3.20%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%

设计说明

Period:Qing dynasty (1644–1911)
Date:19th century
Culture:China
Medium:Silk thread embroidery on silk satin
Dimensions:50 x 96 in. (127 x 243.84 cm)
Classification:Costumes-Embroidered
Credit Line:Rogers Fund, 1930
Accession Number:30.76.12a, b
This elaborate robe would have been worn by a performer playing a princess or a palace concubine. Details such as the elegant cloud collar, multicolored sleeves, and fine embroidery attest to the quality of the garment and the status of the role. Phoenixes were used to signify the empress and other women at court. The dangling ribbons of the skirt would have moved as the actor was walking or dancing.
A depiction of a “princess” wearing a similar robe in a nineteenth-century album of theatrical portraits (at the National Library of China, Beijing) helped to date this piece and confirm its function.
On view during Rotation 1 of exhibition from June 25, 2016 through January 13, 2017.