Physical description
Set of eight panels of silk tapestry (kesi), possibly hangings or from a screen. Woven with scenes from the Jâtaka stories. Each is surmounted by a standing image of the popular deity, Guanyin, helping humans overcome wordly difficulties. Four panels are bordered by an integrally woven key-fret pattern and four by an animal scroll.
Place of Origin
China (made)
Date
1700-1900 (made)
Artist/maker
Unknown
Materials and Techniques
Silk tapestry (kesi)
Dimensions
Length: 102 cm each, Width: 22 cm each, Length: 40 in each, Width: 8.5 in each
Object history note
These 8 panels originally formed a screen, which Alexandra Comnène-Everts originally had framed in dark wood in 1915. When Robert Everts left China he took this screen to all his other postings. Lady Logan has interior photographs showing the screen in situ and there is a photograph of these panels in the screen in the V&A nominal file.
Donated by Lady Logan from the collection of her parents, Robert and Alexandra Everts. Robert Everts (b. Brussels 12 Sept. 1875; d. Brussels 30 April 1942) was born in Brussels the son of the Dutch Consul who adopted Belgian nationality c.1898 and entered the Belgian Diplomatic Service, serving in Paris (1900-09), Mexico (1901-02) and Bucharest (1902-06). He married Alexandra (b. Corfu 4 Feb. 1880; d. Brussels 1961) whose mother was Angelia née Calvocoressi and who chose the family name Comnÿne, in Brussels in 1913. Alexandra accompanied her husband in his foreign postings to Peking between 1910-16 and again in 1920-24, Berlin 1924-31 and Madrid 1932-29 after which the couple resided in Brussels. Together they formed collections of Mexican armour, Mexican textiles, Puebla ceramics, Spanish colonial glass; Chinese textiles, Chinese and Japanese lacquer, Chinese furniture, ceramics and metalwork; and they preserved inherited period lace.
Parts of these collections have been acquired by museums internationally:
The British Museum: Mexican textiles and beadwork (1994 AM3.1, AM7.1-20; 1996 AM10 1-18; 1997 AM4.1)
Mexico City, Franz Mayer Museum: Mexican rebosos and textiles (1994 AD-004, AD-020;DRA-0009, DRA-0025; AD-021, AD-030; DCH-0001, DCH-0010; AD-031, AD-038; DFB-007, DFB-0014); Ecclesiastical embroidered panels, XVI century (2002 09157-01966; DCN-0013, FCF-0011-15; FPA-0013-16)
Alexandra Comnène-Everts was herself a proficient artist and designer. Albums of her drawings of ornament on Chinese monuments (c. 1919-25) have been acquired by the British Library (1998 N Or.15493/1-6) and the bridal tiara she commissioned from Cartier in Paris is on loan to the Victoria & Albert Museum.
The acquisitions from this collection in the Victoria & Albert Museum are:
Asian, set of 8 kessus (silk tapestry), late Ming period (T.269-G-1971); feather fan, carved jewelled handle, Chinese, c. 1910 (FE.58-2008)
Fashion, 20th century dress (T.12-203 – T.17-2003); Textiles, Belgian and Flemish lace (T.5-2003; T.6-T.10-2003; T.62-2008; T.63-2008; T.64-2008; T.65-2008)
Ref: Claire Brisby, ‘Angelia Calvocoressi 1840-1929: A Cosmopolitan Life’, Journal of the Hellenic Diaspora, 30.2 (2004), 97-130.
Related names Angelia Calvocoressi
NB The phrasing of this object history note is as provided by Claire Brisby, Lady Logan's daughter. It is given so that all objects donated by Lady Logan (including those in FTF and Metalwork) will have the same consistent record, as requested by donor. Please do not amend it.
This set of screen panels in the kesi technique was believed by the previous owner and by George Wingfield Digby to be from the seventeenth or eighteenth century. Lady Logan's mother had them framed in a dark wood carved frame when they were acquired sometime between 1913-1924 (see biography in Object History Field), which Wingfield Digby rejected-he preferred to have them for the museum without the frame. There are several similar stories of frames being especially made for such panels for the foreign community in China at the turn of the century. Lady Logan's father was the Belgian Ambassador and when he left China he took this framed screen to all his other postings-Lady Logan has interior photographs showing the screen in situ and there is a photograph of these panels in the screen in the V&A nominal file. The 'stories' on these types of woven panels do not conform to any known stories of Guanyin, and the textile may have been made with foreign clients in mind.
(NB: Phrasing of this attributions note is approved by Claire Brisby, Lady Logan's daughter. Please do not change it without approval of donor's family.)
Descriptive line
Set of eight panels of silk tapestry (kesi), featuring Guanyin, China, 1700-1900
Bibliographic References (Citation, Note/Abstract, NAL no)
Wilson, Verity. Chinese Textiles. London: V&A Publications, 2005, plate 49.
Materials
Silk (textile)
Techniques
Tapestry; K'o-ssu
Subjects depicted
Buddhism
Categories
Textiles; Wall coverings; Tapestry; Buddhism
Collection
East Asia Collection
This set of panels, woven in the Kesi tapestry technique, depict Guanyin (the Goddess of Mercy in Chinese beliefs) helping humans overcome wordly difficulties. Each panel depicts a different episode. Although none of these are easily associated with any known Chinese story, the theme running through the 8 panels is that of Guanyin watching over those who suffer.