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中国非物质文化遗产
基因数据库

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Platter with story of Pan An清康熙 景德鎮窯五彩擲果盈車圖大盤

纹样:荷花, 牡丹, 婴儿
人物:女人
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Platter with story of Pan An清康熙 景德鎮窯五彩擲果盈車圖大盤

Period:Qing dynasty (1644–1911), Kangxi period (1662–1722)
Date:early 18th century
Culture:China
Medium:Porcelain painted with overglaze polychrome enamels (Jingdezhen ware)
Dimensions:H. 4 1/4 in. (10.8 cm); Diam. 24 1/8 in. (61.3 cm)
Classification:Ceramics
Credit Line:Bequest of John D. Rockefeller Jr., 1960
Accession Number:61.200.69
Images of women expressing affection for a young scholar by throwing fruit to him, often found in decorative arts, derive from woodblock prints that flourished in the sixteenth and seventeenth centuries. This plate most likely depicts the talented writer Pan An (247–300) being showered with fruit. Unusually, the cart pulled by a white goat, seen below, refers to another handsome young man Wei Jie (286–312), even though he is not associated with fruit. The ceramic artist freely combined the tales into a composite scene.

色彩分析

39 %
25 %
13 %
6 %

主要色彩
LAB
RGB
HSB
999999 (39.49%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (24.96%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
666666 (13.22%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
333333 (5.85%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%
99CCCC (3.77%)
L 78.65
A -16.46
B -5.39
R 153
G 204
B 204
H 180°
S 25%
B 80%

设计说明

Period:Qing dynasty (1644–1911), Kangxi period (1662–1722)
Date:early 18th century
Culture:China
Medium:Porcelain painted with overglaze polychrome enamels (Jingdezhen ware)
Dimensions:H. 4 1/4 in. (10.8 cm); Diam. 24 1/8 in. (61.3 cm)
Classification:Ceramics
Credit Line:Bequest of John D. Rockefeller Jr., 1960
Accession Number:61.200.69
Images of women expressing affection for a young scholar by throwing fruit to him, often found in decorative arts, derive from woodblock prints that flourished in the sixteenth and seventeenth centuries. This plate most likely depicts the talented writer Pan An (247–300) being showered with fruit. Unusually, the cart pulled by a white goat, seen below, refers to another handsome young man Wei Jie (286–312), even though he is not associated with fruit. The ceramic artist freely combined the tales into a composite scene.