Period:Qing dynasty (1644–1911) Date:18th–19th century Culture:China Medium:Silk velvet with cut and uncut pile Dimensions:48 1/2 x 48 1/2 in. (123.19 x 123.19 cm) Classification:Textiles-Velvets Credit Line:Bequest of Florance Waterbury, in memory of her father, John I. Waterbury, 1968 Accession Number:68.149.14 This cover for a seating platform (kang) or a large chair seat has a pattern of floral and dragon scrolls that was carefully designed to appear right side up when viewed from any of its four sides. The graphic quality of the design is achieved through differences in the reflectivity of the two surfaces on the face of the velvet. The background is rendered in cut pile, which tends to absorb light, while the pattern consists of uncut loops, which are more reflective. Fairly common in Chinese velvets, this use of cut and uncut areas to delineate the pattern allowed considerable freedom of design but demanded great skill.
Period:Qing dynasty (1644–1911) Date:18th–19th century Culture:China Medium:Silk velvet with cut and uncut pile Dimensions:48 1/2 x 48 1/2 in. (123.19 x 123.19 cm) Classification:Textiles-Velvets Credit Line:Bequest of Florance Waterbury, in memory of her father, John I. Waterbury, 1968 Accession Number:68.149.14 This cover for a seating platform (kang) or a large chair seat has a pattern of floral and dragon scrolls that was carefully designed to appear right side up when viewed from any of its four sides. The graphic quality of the design is achieved through differences in the reflectivity of the two surfaces on the face of the velvet. The background is rendered in cut pile, which tends to absorb light, while the pattern consists of uncut loops, which are more reflective. Fairly common in Chinese velvets, this use of cut and uncut areas to delineate the pattern allowed considerable freedom of design but demanded great skill.