Period:Qing dynasty (1644–1911) Date:18th–19th century Culture:China Medium:Silk and metallic thread embroidery on silk gauze Dimensions:Overall: 8 x 4 3/4 in. (20.3 x 12.1 cm) Classification:Textiles-Embroidered Credit Line:Bequest of William Christian Paul, 1929 Accession Number:30.75.723 Bamboo, a favorite subject in Chinese art, is seen here on a typically Chinese background. The fretwork incorporates the broken cross, or swastika—an ancient symbol in Asia that is associated in China with the character wan, which denotes the number ten thousand and symbolizes longevity. The incorporation of the symbol into an unending pattern emphasizes its meaning. Small overall geometric patterns were commonly mentioned in texts of the Song dynasty (960–1279), and "endless wan, " the pattern of connected swastikas, attained dominance by the end of the Ming (1368–1644)
Period:Qing dynasty (1644–1911) Date:18th–19th century Culture:China Medium:Silk and metallic thread embroidery on silk gauze Dimensions:Overall: 8 x 4 3/4 in. (20.3 x 12.1 cm) Classification:Textiles-Embroidered Credit Line:Bequest of William Christian Paul, 1929 Accession Number:30.75.723 Bamboo, a favorite subject in Chinese art, is seen here on a typically Chinese background. The fretwork incorporates the broken cross, or swastika—an ancient symbol in Asia that is associated in China with the character wan, which denotes the number ten thousand and symbolizes longevity. The incorporation of the symbol into an unending pattern emphasizes its meaning. Small overall geometric patterns were commonly mentioned in texts of the Song dynasty (960–1279), and "endless wan, " the pattern of connected swastikas, attained dominance by the end of the Ming (1368–1644)