Date:late 16th–17th century Culture:Tibet Medium:Distemper and ink on cloth Dimensions:66 15/16 x 43 11/16 in. (170 x 111 cm) Classification:Paintings Credit Line:Gift of Frances Gould-Naftal and Marvin Naftal, 1983 Accession Number:1983.510.2 This black-ground (Tibetan: nag thang) painting was installed in the chapel (gonkhang) dedicated to the wrathful protective deities (dharmapalas), a room reserved for tantric initiation rites within a Tibetan monastery. The exceptional scale and complexity of the composition relate the painting to the offering-scene murals known as “sets of ornaments” (Tibetan: rgyan tshogs) that adorn the interiors of shrines dedicated to the dharmapalas. Two wrathful tantric deities are represented with flames emanating from their beings, standing on a male corpse atop a lotus pedestal. They are draped in flayed skins and garlands of severed human heads. Offerings of flayed skins, ritual utensils and objects, and a vast assortment of weapons fill the interior. Framing the scene above is a curtain of flayed human skins and organ entrails.
Date:late 16th–17th century Culture:Tibet Medium:Distemper and ink on cloth Dimensions:66 15/16 x 43 11/16 in. (170 x 111 cm) Classification:Paintings Credit Line:Gift of Frances Gould-Naftal and Marvin Naftal, 1983 Accession Number:1983.510.2 This black-ground (Tibetan: nag thang) painting was installed in the chapel (gonkhang) dedicated to the wrathful protective deities (dharmapalas), a room reserved for tantric initiation rites within a Tibetan monastery. The exceptional scale and complexity of the composition relate the painting to the offering-scene murals known as “sets of ornaments” (Tibetan: rgyan tshogs) that adorn the interiors of shrines dedicated to the dharmapalas. Two wrathful tantric deities are represented with flames emanating from their beings, standing on a male corpse atop a lotus pedestal. They are draped in flayed skins and garlands of severed human heads. Offerings of flayed skins, ritual utensils and objects, and a vast assortment of weapons fill the interior. Framing the scene above is a curtain of flayed human skins and organ entrails.