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中国非物质文化遗产
基因数据库

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Box with peonies明 永樂 剔紅牡丹紋盒_01

牡丹
Period:Ming dynasty (1368–1644), Yongle period (1403–24)
Date:15th century
Culture:China
Medium:Carved red lacquer
Dimensions:H. 2 3/4 in. (6.4 cm); Diam. 6 1/4 in. (15.9 cm)
Classification:Lacquer
Credit Line:Purchase, Arthur M. Sackler Gift, 1974
Accession Number:1974.269a, b
Frequently depicted in carved lacquer, peonies are an important symbol for honor, rank, royalty, and wealth. This box bears additional flowers along the sides: camellias, chrysanthemums, pomegranates, and tree peonies. It is one of several pieces in The Met collection with a six-character mark carved on the bottom reading “Made during the reign of the Yongle emperor” (Da Ming Yongle nian zhi). The use of marks like this, seen more commonly on ceramics, began in the early fifteenth century and continued in all media into the twentieth. Works so marked were likely produced for the court.

色彩分析

27 %
22 %
15 %
12 %

主要色彩
LAB
RGB
HSB
999999 (26.67%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (22.12%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
993333 (14.93%)
L 36.71
A 42.53
B 23.53
R 153
G 51
B 51
H
S 67%
B 60%
666666 (12.05%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
663333 (9.42%)
L 27.93
A 22.8
B 10.4
R 102
G 51
B 51
H
S 50%
B 40%

设计说明

Period:Ming dynasty (1368–1644), Yongle period (1403–24)
Date:15th century
Culture:China
Medium:Carved red lacquer
Dimensions:H. 2 3/4 in. (6.4 cm); Diam. 6 1/4 in. (15.9 cm)
Classification:Lacquer
Credit Line:Purchase, Arthur M. Sackler Gift, 1974
Accession Number:1974.269a, b
Frequently depicted in carved lacquer, peonies are an important symbol for honor, rank, royalty, and wealth. This box bears additional flowers along the sides: camellias, chrysanthemums, pomegranates, and tree peonies. It is one of several pieces in The Met collection with a six-character mark carved on the bottom reading “Made during the reign of the Yongle emperor” (Da Ming Yongle nian zhi). The use of marks like this, seen more commonly on ceramics, began in the early fifteenth century and continued in all media into the twentieth. Works so marked were likely produced for the court.