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中国非物质文化遗产
基因数据库

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Theatrical robe with phoenix and floral patterns清 紅緞彩繡鳳穿花紋宮衣

纹样:凤, 牡丹, 蝴蝶, 如意, 荷花
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Theatrical robe with phoenix and floral patterns清 紅緞彩繡鳳穿花紋宮衣

Period:Qing dynasty (1644–1911)
Date:19th century
Culture:China
Medium:Silk thread embroidery on silk satin
Dimensions:50 x 96 in. (127 x 243.84 cm)
Classification:Costumes-Embroidered
Credit Line:Rogers Fund, 1930
Accession Number:30.76.12a, b
This elaborate robe would have been worn by a performer playing a princess or a palace concubine. Details such as the elegant cloud collar, multicolored sleeves, and fine embroidery attest to the quality of the garment and the status of the role. Phoenixes were used to signify the empress and other women at court. The dangling ribbons of the skirt would have moved as the actor was walking or dancing.
A depiction of a “princess” wearing a similar robe in a nineteenth-century album of theatrical portraits (at the National Library of China, Beijing) helped to date this piece and confirm its function.
On view during Rotation 1 of exhibition from June 25, 2016 through January 13, 2017.

色彩分析

51 %
23 %
6 %
4 %

主要色彩
LAB
RGB
HSB
CCCCCC (50.63%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
999999 (22.68%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CC3333 (6.20%)
L 46.24
A 59.12
B 37.12
R 204
G 51
B 51
H
S 75%
B 80%
990033 (3.79%)
L 31.84
A 56.19
B 17.34
R 153
G 0
B 51
H 340°
S 100%
B 60%
666666 (3.20%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%

设计说明

Period:Qing dynasty (1644–1911)
Date:19th century
Culture:China
Medium:Silk thread embroidery on silk satin
Dimensions:50 x 96 in. (127 x 243.84 cm)
Classification:Costumes-Embroidered
Credit Line:Rogers Fund, 1930
Accession Number:30.76.12a, b
This elaborate robe would have been worn by a performer playing a princess or a palace concubine. Details such as the elegant cloud collar, multicolored sleeves, and fine embroidery attest to the quality of the garment and the status of the role. Phoenixes were used to signify the empress and other women at court. The dangling ribbons of the skirt would have moved as the actor was walking or dancing.
A depiction of a “princess” wearing a similar robe in a nineteenth-century album of theatrical portraits (at the National Library of China, Beijing) helped to date this piece and confirm its function.
On view during Rotation 1 of exhibition from June 25, 2016 through January 13, 2017.