*本网站内容仅供个人学习、研究使用,请勿用于商业用途。

中国非物质文化遗产
基因数据库

2,978
130
点击查看包含数据量中国非物质文化遗产基因数据库

TRADITIONOW

条件筛选
时间筛选
配色筛选

Woman’s Festival Robe

Period:Qing dynasty (1644–1911)
Date:late 19th century
Culture:China
Medium:Silk tapestry (kesi)
Dimensions:56 1/2 x 60 in. (143.51 x 152.40 cm)
Classification:Costumes-Tapestries
Credit Line:Bequest of William Christian Paul, 1929
Accession Number:30.75.99
The golden five-clawed dragons on this robe indicate that it was woven for an empress or imperial consort of lower rank. While it retains the imagery mandated in the mid-eighteenth century court regulations, changes in the rendering of these designs help date this robe to the late nineteenth century. The heads of the dragons appear swollen and disproportionate to the bodies, and their claws have lost their strength. The standard rock and waves pattern at the hem have also changed. The diagonal waves are longer, straighter, and less realistic. These stylistic changes parallel those found on other works of art made at the same time.

色彩分析

40 %
33 %
7 %
7 %

主要色彩
LAB
RGB
HSB
999999 (40.33%)
L 63.22
A 0
B 0
R 153
G 153
B 153
H
S 0%
B 60%
CCCCCC (33.23%)
L 82.05
A 0
B 0
R 204
G 204
B 204
H
S 0%
B 80%
336666 (7.20%)
L 39.86
A -17.05
B -5.29
R 51
G 102
B 102
H 180°
S 50%
B 40%
666666 (6.75%)
L 43.19
A 0
B 0
R 102
G 102
B 102
H
S 0%
B 40%
333333 (3.91%)
L 21.25
A 0
B 0
R 51
G 51
B 51
H
S 0%
B 20%

设计说明

Period:Qing dynasty (1644–1911)
Date:late 19th century
Culture:China
Medium:Silk tapestry (kesi)
Dimensions:56 1/2 x 60 in. (143.51 x 152.40 cm)
Classification:Costumes-Tapestries
Credit Line:Bequest of William Christian Paul, 1929
Accession Number:30.75.99
The golden five-clawed dragons on this robe indicate that it was woven for an empress or imperial consort of lower rank. While it retains the imagery mandated in the mid-eighteenth century court regulations, changes in the rendering of these designs help date this robe to the late nineteenth century. The heads of the dragons appear swollen and disproportionate to the bodies, and their claws have lost their strength. The standard rock and waves pattern at the hem have also changed. The diagonal waves are longer, straighter, and less realistic. These stylistic changes parallel those found on other works of art made at the same time.